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CHEF (R)

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 "Not only is CHEF an exquisite rendering of the psychology of the food lover, but it also manages to be a thoughtful and endearing father/son drama as well as a wonderfully involving travelogue picture...."

 

 
 

 

 
 

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My Top 5 Favorite Video Games of All-Time!.

September 19, 2014

 

James Gunn: The Guardian of Science Fiction's Future - Why his 'Guardian of the Galaxy' is the most surprising - and unlikely - hit of 2014..

August 15, 2014

 

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CrAiGeR's Cinema Corner Turns 10 - And I'm getting by with a little help from my friends as we discuss our favorite films of the last ten years..

July 19, 2014

 

Shannon Hollander: Truthful Storyteller - The leader of the 'GEEKS' reflects on her academic career, performing on stage and on screen, and what the future holds..

April 29, 2014

 

 
     
 

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Movies Based on TV Shows

 

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Wednesday, September 15, 2014 

INDIE FILM TRIBUTE:

Richard Linklater's BOYHOOD

 

Wednesday, September 3, 2014 

Fall Movie Preview

 

Monday, August 18, 2014

Robin Williams Tribute

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Friday, August 8, 2014 

Guardians of the Galaxy discussion 

 

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San Diego Comic Con

 

Monday, July 7, 2014 

Reflecting on my site's 10th Anniversary 

 

Wednesday, June 23, 2014 

2014 Midterm Movie Report Card

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Edge of Tomorrow Discussion

 

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Memorable Monster Films

 

Friday, May 9, 2014 

Amazing Spider-man 2 Discussion 

 

Friday, April 25, 2014 

Summer Film Season Preview 

 

Friday, April 11, 2014 

Captain America: The Winter Soldier Discussion 

 

Friday, March 28, 2014 

DIVERGENT

 

Friday, March 14, 2014 

Great Graphic Novel Film Adaptations 

 

Friday, February 14, 2014 

Unconventional Romance/Date Films

 

Friday, January 31, 2014 

Great Frankenstein Films 

 

Friday, January 17, 2014 

BEST FILMS of 2013

 

Friday, January 3, 2014 

Biggest Movie News Stories of 2013 

 

Friday, December 20, 2013 

Tribute to director Al White / GEEKS 

 

 

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CrAiGeR's REVIEW ARCHIVES

All of CrAiGeR's full-length reviews of contemporary films since Jan 2004

 

 

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Listing of every FOUR STAR review that CrAiGeR has ever written (excludes retro-reviews)

 

 

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CrAiGeR's RETROSPECTIVE REVIEW ARCHIVES

CrAiGeR revisits classic films from

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CrAiGeR's YEARLY BEST/WORST LISTS

CrAiGeR dishes out his TEN BEST and TEN WORST films for every year since 2000

 

 

CrAiGeR's SO BAD, THEY'RE GOOD!

CrAiGeR looks at 25 films that he knows are stinkers, but still finds that they are actually kind of good

 

 

CrAiGeR's TEN MOST OVER-RATED FILMS OF ALL-TIME

CrAiGeR unleashes his list of ten films that he felt did not deserve universal fan accolades and critical praise.

 

 

CrAiGeR's TEN MOST INFLUENTIAL FILMS OF THE LAST 25 YEARS 

CrAiGeR ruminates on ten films he feels most directly influenced the business and making of movies since 1986.

 

 

 

CrAiGeR's TEN BEST FILMS of the 2000's

 

CrAiGeR's TEN BEST FILMS of the 1990's

 

CrAiGeR's TEN BEST FILMS of the 1980's

 

CrAiGeR's TEN BEST FILMS of the 1970's

 

CrAiGeR's TEN BEST FILMS of the 1960's

 

CrAiGeR's TEN BEST FILMS of the 1950's

 

CrAiGeR's TEN BEST FILMS of the 1940's

 

 

 

A WALK AMONG THE TOMBSTONES

(R))jjj1/2  

Not your typical Liam Neeson shoot first, ask questions later thriller

Scott Frank's A WALK AMONG THE TOMBSTONES – adapted from the 1992 novel the same name by Lawrence Block – is the kind of white knuckled detective crime noir that’s just not made in any abundance anymore.  The central character – an ex-cop and recovering alcoholic now turned unlicensed private detective – has seen the light of day in multiple books and I can certainly see why this character and material appealed to Liam Neeson...

Posted September 26, 2014

THE MAZE RUNNER (PG-13))jjj  

A young-adult sci-fi thriller that doesn't completely pander down to its audience

There have been relatively so many young-adult fantasy novels adapted to the silver screen lately that I’ve frankly lost count.  Some have been exceptional (THE HUNGER GAMES: CATCHING FIRE), some have been mediocre (DIVERGENT), and some have been downright cruddy (THE HOST, I AM NUMBER FOUR, any TWILIGHT film of your choosing).  As a result, it was with great reluctance that I screened THE MAZE RUNNER...

Posted September 26, 2014

THIS IS WHERE I LEAVE YOU

(R))jjj

Shiva at its most stressful

THIS IS WHERE I LEAVE YOU does absolutely nothing different than what the countless other estranged family reunion dramedies have done before.  You know the type of genre I’m talking about: The one involving cranky and irritable siblings – all in stages of a respective mid-life crisis – returning to their childhood home to reconnect with one another and their parents – via a marriage, funeral, etc. – to eventually sort out and deal with all of their nagging insecurities with each other and themselves...

Posted September 26, 2014

THE DROP  (R))jjj1/2  

A tale of lost mob money and abused puppies...but it miraculously works

THE DROP is a mob movie of a decidedly different breed.  It’s concerned more with the behind-the-scenes lowlife bit players that play small, but significant roles in the larger food chain of the mafia.  The film places great emphasis on characterizing these bottom-feeders, some of which are aging crewmembers whose best days are long behind them, whereas others are relatively young and honor bound workers that harbor deep secrets from the past...

Posted September 21, 2014

PALO ALTO  (R))jj1/2  

These teens are on a road to nowhere

PALO ALTO is a drama that tries to attain a level of profundity regarding its exploration into its adolescent characters.  Regrettably, the film’s noble ambitions are somewhat stunted by how aimless and meandering its overall narrative is, which created more listlessness in me than genuine interest in the material...

Posted September 21, 2014

BOYHOOD  (R))jjjj

This boy's life

Richard Linklater’s BOYHOOD is the very reason I go to the movies.  It’s a remarkably intimate, awe-inspiring, and touching celebration of human life, which is all the more special considering that all too many modern films seem to take great relish in glamorizing the taking of it.  To simply label the film as a “coming of age drama” almost doesn’t do it any justice at all...

Posted September 13, 2014

A MOST WANTED MAN  (R))jjjj

An uncommonly effective and slow-burning post-9/11 spy thriller

I’m a real sucker for a good espionage thriller with real world ties.  This makes it all the more easy for me to fall hard for spy game films like A MOST WANTED MAN, which manages to fully and triumphantly elevate itself far above the recent crop of similar genre films.  What’s so intrinsically intoxicating about Anton Corbijn’s (THE AMERICAN) film is in how well it captures the grungier and aspects of covert life...

Posted September 13, 2014

BLENDED  (PG-13))j 

Let's go to Africa with Adam Sandler!  Uh...pass.

BLENDED is twice as good as the last batch of witless and puerile Adam Sandler comedic ventures.  Alas, seeing as I have given a majority of them – like GROWN UPS 2, JUST GO WITH IT, and JACK AND JILL - the dreaded zero star rating…that’s not entirely saying much.  BLENDED is a bit softer on the edges than most of Sandler’s previous raunchfests (it contains very few gags regarding popping, farting, peeing – actually, there’s one gag with the latter – and other bodily functions)...

Posted September 13, 2014

THE NOVEMBER MAN  (R))jj

James Bond For Dummies

I’m not quite sure what kind of film THE NOVEMBER MAN is trying to be.  A James Bond-ian spy thriller?  A gritty, rough and tough action flick in the Jason Bourne mould?  What ultimately emerges is a spy espionage thriller that dutifully – and rather mechanically – feels like its lazily cherry picking from the discarded and recycled conventions of other countless genre films...

Posted September 5, 2014

TO BE TAKEI (no MPAA rating))jjj

OH MY!  What a surprising and revealing documentary!

I think that many people will already have an impression of George Takei before they venture into seeing TO BE TAKEI.  He most famously played Sulu in the original STAR TREK TV series and subsequent film franchise.  What many perhaps don’t know about the iconic 77-year-old actor is that he's also a staunch and deeply proud civil rights activist and a true survivor of past social-political horrors...

Posted September 5, 2014

NIGHT MOVES (R))jjj1/2

When does the activist ends justify the means?

NIGHT MOVES is an uncommonly effective eco-themed psychological thriller that gets by considerably on its less-is-more aesthetic.  Directed by Kelly Reichardt (MEEK’S CUTOFF and WENDY & LUCY), the film deals with the plot of a trio of radical environmentalists that wish to blow up a hydroelectric dam, but NIGHT MOVES is not just about the acts of these eco-terrorists. ..

Posted September 5, 2014

SIN CITY: A DAME TO KILL FOR 

(R))jjj

"Sin City is where you go in with your eyes open...or you don't come out at all."

To say that SIN CITY: A DAME TO KILL FOR simply offers up more of the same that the previous film in the series offered is not only a bit obvious, but also a bit unfair.  2005’s SIN CITY – based on the graphic novels of the same name by Frank Miller – was a trailblazing original when it premiered...

Posted August 29, 2014

WHEN THE GAME STANDS TALL

(PG))jj

When an unbeatable team becomes...beatable

WHEN THE GAME STANDS TALL is a rare football drama that’s more compellingly about the nature of losing than it is about winning.  The reality based sports drama – based on the 2003 book of the same name by Neil Harris – concerns the improbably astounding winning streak of the De La Salle Spartans of Concord, California, a team that managed – over the course of a decade – to amass a winning streak of…no bull151-0.  That’s right.  151 wins without a loss... 

Posted August 29, 2014

THE EXPENDABLES 3  (PG-13))jj1/2

"How hard can it be to kill ten men?!"

 

I'm not altogether sure what a third EXPENDABLES film could already show me that the two other previous films in the franchise didn’t already.  The premise for the overall series – let’s dig up action film royalty from the 1980’s and populate as many of them as possible in one film that pays loving homage to such intellectually vacant, wantonly violent, and innocuously enjoyable films – offers up ample promises, which the first EXPENDABLES film somewhat catered to... 

 

Posted August 22, 2014

LET'S BE COPS (R))jjj

What's the worst that could happen...right?

LET’S BE COPS has a premise that is preposterous and never once feels credible on any level whatsoever.  It’s the kind of film that seems to take place in some kind of beyond-obvious fictional fantasyland where rules, regulations, and, most importantly, consequences for ill-conceived actions barely exist.  Yet, LET’S BE COPS is a frequently hysterical buddy comedy that gets by considerably on the effortless comedic charm of its two main actors. .. 

Posted August 22, 2014

INTO THE STORM  (PG-13))j1/2

The eye of this storm contains ample soap opera melodrama

INTO THE STORM is barely a movie.  It’s a series of gimmicks and a glossy visual effects demo reel masquerading as a movie.  I guess that I would aptly describe it as a “found footage disaster film,” yet the film has an extremely shaky foundation in terms of having a valid and unifying reason to even utilize found footage as part of a unifying premise...

Posted August 22, 2014

TEENAGE MUTANT NINJA TURTLES

(PG-13))jj

A shell-shocked reboot

Cinematic reboots should, I feel, dramatically revitalize their subject matter for contemporary audiences while remaining faithful to it.  The newest silver screen TEENAGE MUTANT NINJA TURTLES film – the fifth version to hit theaters since the very first live action iteration was released 24 years ago – certainly makes concentrated attempts to reinvigorate the long-standing franchise with some new myth-busting ideas... 

Posted August 15, 2014

LIFE ITSELF  (R))jjj

A thoroughly poignant tribute to an American icon of the movies

I still own my copy of the 1992 edition of Roger Ebert’s Movie Home Companion.  I purchased it at a  bookstore in North Dakota that year and it was the very first book of film criticism that I even owned.  I read it in its entirety – every review, every article, and every interview – from cover to cover during that summer...

Posted August 15, 2014

GUARDIANS OF THE GALAXY

(PG-13))jjjj

They have "12 per cent of a plan" to save the universe

GUARDIANS OF THE GALAXY – the tenth film in the Marvel Cinematic Universe film canon – is one of the most implausibly entertaining summer films to emerge in an awfully long time.  “Implausible” in the sense that the studio tapped the relatively unproven writer/director James Gunn (SLITHER and SUPER) to helm a near $200 million sci-fi fantasy.  If that were not head-scratching enough... 

Posted August 8, 2014

HERCULES (PG-13))jj

Mighty...this film ain't

 

HERCULES feels like a film that was written by nine-year-old boys for nine-year-old boys.  The child in me kind of dug it, but the adult in me was kind of incessantly bored with it.  I guess if one considers the target demographic audience, HERCULES essentially delivers on its promise of video game inspired sword and sandal action and intrigue... 

 

Posted August 8, 2014

LUCY (R))j  

This sci-fi film only uses one per cent of its brain

Luc Besson’s sci-fi thriller LUCY has been applauded in critical circles for its inspired ridiculousness.  It’s a film that you just have to “go with” says many.  I have nothing wrong with any film that has a go-for-broke insanity about it, but only as long as its sticks to its inherent silliness.  Alas, the damning problem with LUCY...  

Posted August 8, 2014

SABOTAGE (R))jjj  

An action thriller of surprisingly un-Au-nald like proportions

Those of you journeying out to see SABOTAGE and expecting a fine return to pre-politician, action- hero- films- of- yesteryear form from Arnold Schwarzenegger may be setting themselves up for some supreme disappointment.  The trailers for writer/director David Ayer’s modestly budgeted $35 million crime thriller certainly promised, on some levels, the cheesy, intellectually vacant, and entertainingly disposable hard-R rated action vehicles that made Au-nald a bona fide star in the 80’s and 90’s...  

Posted August 8, 2014

SEX TAPE (R))jj

Should be erased

You know, for a film that’s supposed to be a sex comedy – and the fact that it also has the word “sex” in its title – there's very little in the way of hearty laughs or, hell, even eroticism in SEX TAPE, a new comedy can’t ever decided what kind of tone its aiming for..  

Posted July 29, 2014

SNOWPIERCER (R))jjj1/2

A post-apocalyptic runaway train

To use the phrase “unlike anything I’ve seen before” in just about any film review feels like an overused cliché (and I’m certainly guilty of exploiting it from time to time).  Alas, trust me when I say that you will most likely not see another post-apocalyptic sci-fi thriller quite like South Korean filmmaker Boon Joon-Ho’s SNOWPIERCER, which hurtles itself at viewers with a reckless abandon, a daring originality, and, quite frankly, an endlessly provocative lunacy and strangeness that stays with viewers after seeing it...  

Posted July 29, 2014

DOM HEMINGWAY (R))jjj

Jude Law at his most lovably coarse and crude

Richard Shepard’s black comedy/crime drama DOM HEMINGWAY goes brazenly for broke in its opening scene and never once apologizes for itself, nor does it sheepishly look back.  The introductory monologue is also a rallying cry for the reinvention of Jude Law, who seems to be breaking the fourth wall and bellowing to the audience to forget his past resume of playing relative good guys...  

Posted July 29, 2014

DAWN OF THE PLANET OF THE APES

(PG-13))jjjj

Caesar...is...home

2011’s RISE OF THE PLANET OF THE APES had the unenviable and thankless task of rebooting one of the most iconic film franchises in motion picture history, especially coming in the wake of Tim Burton’s decidedly so-so 2001 retrofitted effort.  Amazingly, RISE OF THE PLANET OF THE APES was a rather effective re-imagining of the origins of the man versus damn, dirty, talking ape genre, which combined cutting edge visual effects and empowered storytelling to leave a refreshingly lasting impression...  

Posted July 18, 2014

TRANSFORMERS: AGE OF EXTINCTION

(PG-13))1/2j

Same Michael Bayian shit, different day

I began my review of 2011’s TRANSFORMERS: DARK OF THE MOON – the third film in the series that I prayed to the movie gods would end with it – as follows...  

Posted July 18, 2014

TAMMY (R))j

A road comedy that positively has no gas in the tank

TAMMY is an utter comedic dead zone.  You know you’re in trouble when a film opens with a would-be uproarious scene of a character trying to perform mouth-to-mouth resuscitation on some fresh road kill that she just struck with her vehicle.  Hardy har.  Worse yet is that the film – when it’s not pathetically attempting to elicit hearty laughter from viewers – tries to be a touching and poignant family drama...  

Posted July 10, 2014

THE FAULT IN OUR STARS  

(PG-13))jjj1/2

Finding in love under extraordinary circumstances 

 

THE FAULT IN OUR STARS walks up a very slippery and problematic cinematic slope.  It traverses between two subgenres that, when done poorly, can come off as manipulative poppycock: the coming-of-age teen romance drama and the terminal cancer tearjerker.  Yet, THE FAULT IN OUR STARS manages – through strong and perceptive writing, wonderfully nuanced lead performances, and a keen and observantly told love story – to overcome the typical pratfalls and conventions of these types of films... 

 

Posted July 10, 2014

WINTER'S TALE (PG-13))1/2j

Romance, fantasy, flying horses, a snarling Russell Crowe, and Will Smith as Satan

WINTER’S TALE is a film of unintentional silliness and unpardonable wretchedness, made all the more head scratching based on the fact that it contains multiple Oscar nominated actors that I’ve admired for years that embarrass themselves throughout its 129 minutes.  I can certainly see a kernel of ambitiousness with the underlining story here – a supernatural love story that spans multiple centuries, adapted from the 1983 novel of the same name by Mark Helprin...  

Posted July 4, 2014

JERSEY BOYS (R)) jj1/2

Clint Eastwood's adaptation of the Broadway stage musical is not a toe-tapping delight

The central irony of JERSEY BOYS – a loose film adaptation of the Tony Award winning jukebox musical of the same name – is that it chronicles one of the most iconic pop groups in recording history... and manages to be somewhat tone deaf throughout.  Of course, JERSEY BOYS tells the obligatory rags-to-riches tale of Frankie Valli and the Four Seasons...  

Posted June 27, 2014

HOW TO TRAIN YOUR DRAGON 2

(PG) jjjj  

Soars even higher and more grandly than the original

This isn’t right.  It just isn’t.  Animated sequels – or sequels in general, for that matter – have no business being as good as HOW TO TRAIN YOUR DRAGON 2. Alas, the technological and storytelling wizards behind Dreamworks’ follow-up to their surprise 2010 smash hit manages to fully match, if not surpass, the aesthetic palette of the first film, but it also daringly executes a fully realized story that further develops the characters and themes...  

Posted June 27, 2014

ENDLESS LOVE (PG-13) j1/2

Endless...romantic...drivel

 

ENDLESS LOVE is a remake to a 1981 Franco Zeffirelli film that I have not seen, which in turn was based on the 1979 Scott Spencer novel of the same name that I have not read.  As a result, I am left with the task of reporting primarily on what I’ve seen in ENDLESS LOVE and not so much as to how it stacks up to its cinematic predecessor of its literary inspiration...

Posted June 27, 2014

22 JUMP STREET  (R) jjj 

A sequel that affectionately celebrates and mocks...sequels

“Just do the same thing you did last last time and everyone will be happy!”  So screams Ice Cube’s hysterically hostile police Captain Dickson to the heroes in an opening scene in 22 JUMP STREET, which is, yes, the sequel to 2012’s 21 JUMP STREET.  You may recall that the first film – which was an affectionate skewering of not only of the 1987 Stephen J. Cannell and Patrick Hasburgh TV series of the same name, but also of the laughable extremes of the buddy/cop action film genre...  

Posted June 20, 2014

CHEF  (R) jjjj 

Cuban sandwich food truck therapy

To many lay filmgoers, Jon Favreau is probably best known for directing big summer blockbusters like the first two IRON MAN films and COWBOYS AND ALIENS.  In my mind, the actor/director was always at his finest in low-key indie fare playing loveable losers that have both everything and nothing to lose.  People seem to forget that Favreau cut his teeth in the industry writing and starring in 1996’s SWINGERS – still, to this day, one of my favorite comedies of that decade...

Posted June 20, 2014

EDGE OF TOMORROW

(PG-13) jjj1/2   

SPOILER ALERT: Tim Cruise dies a lot in this sci-fi thriller

EDGE OF TOMORROW is a new futuristic sci-fi thriller that involves a sniveling and cowardly man that becomes a grizzled and courageous action hero…but only after dying an unfathomable amount of times and replaying the same day over and over again so that he can, in turn, learn from his mistakes...  

Posted June 13, 2014

LOCKE  (R) jjjj 

Tom Hardy's bravura one-man show

Stephen Knight’s LOCKE is some kind of small-scale miracle of a movie.  In an era where films are dominated by ostentatious visual effects and all-out eye-straining overkill, LOCKE emerges as an effective antidote to such commonplace filmmaking extremes.  It’s simply a masterpiece of filmmaking economy...  

Posted June 13, 2014

MALEFICENT (PG) j j

SLEEPING BEAUTY...redux

MALEFICENT is a potentially dramatic re-imagining of the mythology from Disney’s 1959 animated classic SLEEPING BEAUTY.  More or less, it focuses squarely on telling the ageless tale largely from the villain’s perspective, with her back-story fleshed out and expanded upon to allow for us to radically re-reinterpret our opinions of her...  

Posted June 13, 2014

 

 

 

 

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